The craft of structure in R. Ellison's invisible man
الملخص
Ellison’s advocacy of art against sociology and ideology is well-known. In his only novel, Invisible Man, he demonstrates that Negro writers are perfectly capable mastering the Euro-American literary tradition, and that great works of art with universal implications can be worked out of the raw material of Black life. The structure of the novel portrays a black man’s renewed attempt to establish his human individuality, first within and against his Black community, and within and against American society.
التنزيلات
المراجع
Donald B. Gibson, Five Black Writers: Essays on Wright, Ellison, Baldwin, Hughes and Leroi Jones, New York University press, New york, 1970, p73.
Richard gray, A History of American Literature, Blackwell publishing, News York and London, 2004, p676.
Rudolph Dietze quoted in Kun Jong Lee, "Ellison's racial Variations on American Themes", African American Review, Terre Haute, Fall 1996, p2.
Ralph Ellison, Invisible Man, Signet Books, New American Library, New York, 1952. (All quotations are from this edition).
Ralph Ellison quoted in Kun Jong Lee, Op. Cit. p16.
Ibid, p74
Marcus Klein, "After Alienation" in Donald B. Gibson, Op. Cit., p90.