MYSTERY AND THE POSTMODERN SCENE: PYNCHONEAN VIEW

Authors

  • Amira Halim University of Mentouri Constantine

Keywords:

MYSTERY, POSTMODERN SCENE, PYNCHONEAN VIEW

Abstract

In the postmodern scene, there exists a range of views that make this period different from earlier ones. This article presents a descriptive depictionof the postmodern concept of mystery presented by the postmodernists and Thomas Pynchon as to portray a dramatic scene of the two main participants in an enigmatic conflict involving good and evil. The postmodern mystery is mainly seen in the perception of religion and the recognition of good and evil in it. The latter is discussed in the article.

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Author Biography

Amira Halim, University of Mentouri Constantine

Faculty of Letters and Languages, Department of Letters andEnglish

References

-Bertens, Hans. The Idea of the Postmodern; A History. New York: Routledhe, 2005.

-Haws, Worth. “Postmodern Epistemology in Foucault and Pynchon.” All College Writing Contest. 1993. 8 April. 2014. <http://pdf458.xqhbooks.com/the-paranoia-plot_86ayi.pdf>.

-Hegel. G. W. F. Hegel. Eds. Akach Singh and RiminaMohapatra. MeHicks, Stephen. Explaining postmodernism: Skepticism and Socialism from Rousseau to Foucault. New Berlin: Milwaukee, Wisconsin, 2011.

-Leffel, Jim. “The Death of Truth.” Our New Challenge: Postmodernism. Ed. Dennis, McCallum. Minneapolis: Bethany House Publishers, 2014.

-Lundin, Roger. The Culture of Interpretation: Christian Faith and the Postmodern World. Michigan: Wm. B. Eerdmans Publishing, 1993.

-Nietzsche, Frederich. The Gay Science. Ed. Bernard Williams. Trans. JosefineNauckhof. Oxford: Cambridge University Press, 2008.

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Published

2016-06-01

How to Cite

Halim, A. (2016). MYSTERY AND THE POSTMODERN SCENE: PYNCHONEAN VIEW. Journal of Human Sciences , 27(1), 115–122. Retrieved from https://revue.umc.edu.dz/h/article/view/2336

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